导演：皮奥特尔·舒尔金
主演：耶日·斯图尔 克里斯提娜·杨达 卡里娜·谢鲁斯克 马里乌什·德莫霍夫斯基 马雷克·瓦尔切夫斯基 扬·诺维茨基 亨里克·比斯塔 莱昂·涅姆奇克 克兹佐夫·马扎克 斯坦尼斯瓦夫·伊加尔
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
佩德罗·帕斯卡 凡妮莎·柯比 艾邦·摩斯-巴克拉赫 约瑟夫·奎恩 拉尔夫·伊内森 朱莉娅·加纳 娜塔莎·雷昂 保罗·沃尔特·豪泽 萨拉·奈尔斯 马克·加蒂斯 艾达·斯科特 马修·伍德 安吉拉·琼斯 梅茜·沙克曼 杰伊·安德伍德 迈克尔·贝利·史密斯 阿莱克斯·海德-怀特 丽贝卡·斯塔巴 帕特里克·米勒 马瑟·泽科尔
克里斯汀·埃姆斯 阿莉安妮·罗宗 阿比·弗洛克顿
休·杰克曼 詹姆斯·麦卡沃伊 迈克尔·法斯宾德 詹妮弗·劳伦斯 哈莉·贝瑞 尼古拉斯·霍尔特 埃文·彼得斯 伊恩·麦克莱恩 帕特里克·斯图尔特 艾利奥特·佩吉 安娜·帕奎因 彼特·丁拉基 肖恩·阿什莫 卢卡斯·提尔 丹尼尔·库德摩尔 波波·斯图尔特 奥玛·希 范冰冰 阿丹·坎托 乔什·赫尔曼
Arsen Shavlyuk Viktor Grigoriev Taras Shevchenko Ivanna Borodai Volodymyr Rashuk
艾迪·墨菲 伊丽莎白·班克斯 加布里埃尔·尤尼恩 斯科特·凯恩
沃维克·戴维斯 杰西卡·科林斯 Debbe Dunning
Peter Zizzo Terri Apple Andy Lauer
迭戈·佩雷蒂 Diego Peretti 卡拉·奎沃多 Carla Quevedo 朱丽叶塔·卡迪纳利 Julieta Cardinali 迭戈·克雷莫内西 Diego Cremonesi Carola Reyna
Peta Wilson Renee Bowen Remi Broadway Joel Amos Byrnes Warren Christie
The Substitute
理查德·哈蒙 布里特妮·威尔逊 莱西·沙伯特
罗姗妮·麦琪 萨米拉·迈蒂 尼科拉·赖特 汤姆·穆艾伦 拉塞尔·杰弗瑞·班克斯 亚历克斯·库克 凯瑟琳·亚当斯 约瑟夫·格林伍德 卢克·卡文迪什 伊万·博斯威克 阿德里安·雷尔夫 大卫·安博勒 比格·托布兹
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